Áurea Dominguez Moreno is a researcher and performer specializing in historical double reed performance practice. Following her studies at the Schola Cantorum Basiliensis (Basel, Switzerland), where she was later employed as a researcher, she earned her PhD in musicology from the University of Helsinki in 2014. Her interests include historical sound technologies and innovative approaches to organology in wind instruments, such as the use of CT scans and 3D printing as research tools. Her monograph on nineteenth-century bassoon performance Bassoon Playing in Perspective (2013) has become an important reference in the field, as has her work on the fagottino and early recordings of wind music.